{"id":23,"date":"2021-12-18T19:48:22","date_gmt":"2021-12-18T19:48:22","guid":{"rendered":"https:\/\/logbook.al\/?page_id=23"},"modified":"2025-10-26T17:12:34","modified_gmt":"2025-10-26T17:12:34","slug":"2-2","status":"publish","type":"page","link":"https:\/\/logbook.al\/?page_id=23","title":{"rendered":"Autor\u00ebt:"},"content":{"rendered":"\n
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BILL VIOLA (1951 – 2024)<\/h5>\n\n\n\n

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Bill Viola<\/strong> (*1951 n\u00eb New York) – lindi dhe u rrit n\u00eb Queens. Kaloi nj\u00eb f\u00ebmij\u00ebri t\u00eb mbyllur duke qen\u00eb person i turpsh\u00ebm dhe pa shum\u00eb marr\u00ebdh\u00ebnie. Talentin p\u00ebr vizatim dhe skica e shfaqi qysh n\u00eb f\u00ebmij\u00ebri t\u00eb hershme. N\u00eb vitin 1969 Viola kreu shkoll\u00ebn e mesme dhe u fut t\u00eb studionte artin n\u00eb Universitetin e Syracuse-s (New York). Periudha e tij e hershme si artist ishte tep\u00ebr instrumentale n\u00eb establishmentin e artit video. Viola konsiderohet si nj\u00eb nga artist\u00ebt m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb koh\u00ebs son\u00eb, ai \u00ebsht\u00eb po aq nj\u00eb nga ponier\u00ebt e videoartit n\u00eb Amerik\u00eb. Bota e veprave t\u00eb tij si artist vizual \u00ebsht\u00eb e mbushur me imazhe prek\u00ebse e t\u00eb ve\u00e7anta. Ajo hedh drit\u00eb mbi temat themelore njer\u00ebzore dhe p\u00ebrvojat si lindja, vdekja, dashuria, eg\u00ebrsia, ekstaza, vuajtja dhe frika; ato pasqyrojn\u00eb v\u00ebrtet piktur\u00ebn e Rilindjes Evropiane n\u00eb saje t\u00eb intensitetit t\u00eb tyre. Bashk\u00eb me bashk\u00ebshorten e vet, artisten Kira Perov, t\u00eb dy kan\u00eb pasion t\u00eb p\u00ebrbashk\u00ebt p\u00ebr elementet. Nd\u00ebr veprat m\u00eb t\u00eb njohura t\u00eb Violas jan\u00eb: “The Reflecting Pool”, “The Sleep of Reason”, “The Veiling”, “Surrender”, “Going Forth by Day”, “Tristan`s Ascension”, “Fire Woman”, “The Dreamers”, etj. <\/h6>\n<\/div><\/div>\n\n\n\n
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Idlir Azizaj Nivik <\/strong>(*1970 n\u00eb Vlor\u00eb)<\/h5>\n<\/div>\n\n\n\n

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\u00ebsht\u00eb nj\u00eb shkrimtar dhe p\u00ebrkthyes, i cili jeton prej vitit 2004 n\u00eb Franc\u00eb. Ai njihet sidomos p\u00ebr p\u00ebrkthimin e Uliksit<\/em> t\u00eb Xhejms Xhoisit n\u00eb shqip, p\u00ebr t\u00eb cilin u vler\u00ebsua me “Pend\u00ebn e Argjendt\u00eb” nga Ministria e Kultur\u00ebs e Shqip\u00ebris\u00eb n\u00eb vitin 2004. Azizaj kreu studimet e para n\u00eb Universitetin e Tiran\u00ebs p\u00ebr ekonomi. M\u00eb von\u00eb ndoqi studimet p\u00ebr let\u00ebrsi angleze e amerikane n\u00eb Concordia College t\u00eb Minesot\u00ebs n\u00eb SHBA. N\u00eb vitin 2006 mori grad\u00ebn “master” n\u00eb filozofi n\u00eb Universitetin e 8-t\u00eb<\/sup> t\u00eb Parisit, me punimin Uliksi, gramafoni q\u00eb k\u00ebndon heshtjen<\/em>. V\u00ebllimi me poezi “Syri n\u00eb mur” (1997) \u00ebsht\u00eb ribotuar m\u00eb 2010 n\u00eb nj\u00eb v\u00ebllim dygjuh\u00ebsh n\u00eb ShBA-t\u00eb nga CC Marimbo Press. M\u00eb 2011 ka marr\u00eb \u00e7mimin “Penda e Art\u00eb” nga fondacioni Mehr Licht! p\u00ebr esen\u00eb m\u00eb t\u00eb mir\u00eb t\u00eb vitit. Azizaj \u00ebsht\u00eb njohur n\u00eb shtypin letrar p\u00ebr romanet e tij me tem\u00eb nga shoq\u00ebria e sotme dhe p\u00ebr stilin e ve\u00e7ant\u00eb n\u00eb proz\u00eb. Poezit\u00eb dhe dramat e tij jan\u00eb v\u00ebn\u00eb disa her\u00eb n\u00eb sken\u00eb n\u00eb Franc\u00eb, Kosov\u00eb e Austri.
Proza e Azizaj p\u00ebrmbledhin titujt e m\u00ebposht\u00ebm: “Kat\u00ebr, ose nj\u00eb film i fundit mbi komunizmin ton\u00eb”, “Ti doje t\u00eb shkruaje nj\u00eb fug\u00eb”, “Terxhuman” (i cili ka gjetur jehon\u00eb n\u00eb vendet e Ballkanit >>Adem Ferizaj: Temat postkoloniale tek “Terxhumani”<\/a> \/ La philosophie postcoloniale dans le roman Terxhuman d\u2019Idlir Azizaj Nivik<\/a>), “Gazetarja e kultur\u00ebs vet\u00ebvritet, shpirti i saj n\u00eb drejtim t\u00eb paditur”, “Don Kanuni, ose ngadal\u00eb gjak\u00ebsi dremit n\u00eb prit\u00eb”, ” Shekspiriot\u00ebt”, “Armiku i popullit pa em\u00ebr”, “Deltaplang”.
Gjithashtu ka p\u00ebrkthyer m\u00eb par\u00eb dhe “Dublinasit” t\u00eb J. Joyce-t, “Dashuria e par\u00eb” t\u00eb Samuel Beckett-it, poem\u00ebn madhore t\u00eb Allen Ginsberg-ut, “Kaddish”, romanin “T\u00eb N\u00ebndheshmit” t\u00eb Jack Kerouac-it. Vitet e fundit Azizaj ka p\u00ebrkthyer v\u00ebllimin “Imazhi dhe proza t\u00eb tjera”, ku p\u00ebrmblidhet gjith\u00eb proza e shkurt\u00ebr e Samuel Beckett-it. N\u00eb vitin 2015 doli dhe p\u00ebrkthimi “Kopisti Bart\u00eblbi” i Herman Melville-it.
>>Intervist\u00eb (Gazeta TemA): Dhjet\u00eb pyetje p\u00ebr Idlir Azizaj Nivik (3.3.2024)<\/a><\/h6>\n<\/div><\/div>\n\n\n\n
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Heiner M\u00fcller <\/strong>(1929 – 1995)<\/h5>\n<\/div>\n\n\n\n

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Krijimtaria e tij i takon avangard\u00ebs m\u00eb radikale n\u00eb let\u00ebrsi e sidomos n\u00eb teat\u00ebr p\u00ebrgjat\u00eb gjysm\u00ebs s\u00eb dyt\u00eb t\u00eb shekullit 20 n\u00eb dy Gjermanit\u00eb e m\u00eb gjer\u00eb. Ndikimi i tij si dramaturg, poet, prozator, eseist e regjisor ka n\u00eb qend\u00ebr koncepte e ngjarje historike q\u00eb p\u00ebrvijohen nga antika greke p\u00ebrmes bot\u00ebs letrare e fiktive deri n\u00eb diskurset m\u00eb fondamentale politike. Karakteri i teksteve t\u00eb tij hapi nj\u00eb frym\u00eb t\u00eb re dramaturgjike e teatrore, q\u00eb m\u00eb von\u00eb nga teatrologu Andrzej Wirth pastaj edhe nga Hans-Thies Lehmann do t\u00eb em\u00ebrtohej si teat\u00ebr postdramatik. K\u00ebso shtrirje t\u00eb materialeve i hasim n\u00eb veprat si Mauser <\/em>(1970), Hamlet<\/em>–Makina<\/em> (1977), Misioni <\/em>(1979), Kuartet <\/em>(1981), Breg det i pla\u00e7kitur \/ Medeamaterial \/ Peizazh me argonaut\u00ebt<\/em> (1982) e shum\u00eb tjera. M\u00fcller krijoi e veproi nd\u00ebrmjet ideologjive dhe utopive t\u00eb shumta. N\u00eb autobiografin\u00eb e tij \u201eLuft\u00eb pa betej\u00eb \u2013 jet\u00eb n\u00eb dy diktatura<\/em>\u201c (1992), ai rr\u00ebfen p\u00ebr p\u00ebrvojat krijuese brenda dhe jasht\u00eb vendit, p\u00ebr pun\u00ebn n\u00eb Ansamblin e Berlinit, marr\u00ebdh\u00ebnien nd\u00ebrmjet gjeneratave, p\u00ebr dramat njer\u00ebzore dhe p\u00ebrplasjet e m\u00ebdha drejt shembjes s\u00eb autoriteteve. M\u00fcller shkroi rreth dyzet drama, af\u00ebr nj\u00ebzet p\u00ebrmbledhje me poezi dhe disa tekste n\u00eb proz\u00eb. Krijimtaria e tij \u00ebsht\u00eb e pasur n\u00eb fush\u00ebn e regjisur\u00ebs, radio-dramave si dhe n\u00eb sfera tjera mediale. Me autorin gjerman Alexander Kluge kan\u00eb regjistruar qindra or\u00eb video dhe audio materiale n\u00eb form\u00eb intervistash dhe dialog\u00ebve t\u00eb ve\u00e7anta diskursive. M\u00fcller \u00ebsht\u00eb inskenuar dhe p\u00ebrkthyer n\u00eb shum\u00eb gjuh\u00eb n\u00eb t\u00eb gjitha kontinentet. N\u00eb Kosov\u00eb dhe Shqip\u00ebri deri m\u00eb tani jan\u00eb inskenuar \u201eHamlet-Makina\u201c, \u201eKuartet\u201c dhe \u201eMedeamaterial\u201c.
Nga viti 1985 \u00ebsht\u00eb edhe bart\u00ebs i \u00e7mimit letrar \u201eB\u00fcchner-Preis\u201c.<\/h6>\n<\/div><\/div>\n\n\n\n
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Georges Bernanos<\/strong> (1888 – 1948)<\/h5>\n<\/div>\n\n\n\n

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lindi n\u00eb Paris m\u00eb 20 shkurt 1888. M\u00eb 1897 kreu klas\u00ebn e par\u00eb t\u00eb nj\u00eb gjimnazi jezuit, nx\u00ebn\u00ebs ku m\u00ebsoi n\u00eb t\u00eb nj\u00ebjt\u00ebn periudh\u00eb edhe Charles de Gaulle-i. Lexon autor\u00eb si Walter Scott, Barbey d\u2019Aurevilly, Ernest Hello, Pascal, Victor Hugo, Michelet, si dhe Balzac. N\u00eb 1914, me shp\u00ebrthimin e Luft\u00ebs s\u00eb Par\u00eb, Bernanos-i rimobilizohet, n\u00eb muajin gusht. N\u00eb janar 1922 boton novel\u00ebn Madame Dargent<\/em>. N\u00eb mars t\u00eb 1926 botohet romani N\u00ebn diellin e Satanait<\/em> dhe korr sukses t\u00eb menj\u00ebhersh\u00ebm. N\u00eb 1927 boton romanin Mashtrimi<\/em> (L\u2019Imposture<\/em>). M\u00eb 1928 fillon t\u00eb botoj\u00eb romanin Hareja (la Joie)<\/em>, n\u00eb La Revue Universelle<\/em>. Boton mandej La grande Peur des bien-pensants (Droja e mendimtar\u00ebve zyrtar\u00eb). <\/em>N\u00eb 1934, familja Bernanos vendoset n\u00eb Ishujt Baleares. Fillon botimi i romanit Nj\u00eb krim<\/em>, n\u00eb nj\u00eb revist\u00eb t\u00eb p\u00ebrjavshme. N\u00eb mars 1936 botohet  Ditari i nj\u00eb prifi fshati <\/em>si lib\u00ebr i plot\u00eb. Publiku e mir\u00ebpret me l\u00ebvdata, shpesh cil\u00ebsohet kryevep\u00ebr. Libri vler\u00ebsohet me \u00c7mimin e Madh t\u00eb Akademis\u00eb Franceze. N\u00eb korrik, gjat\u00eb Luft\u00ebs Civile n\u00eb Spanj\u00eb, monarkisti dhe katoliku Bernanos e mb\u00ebshtet fillimisht regjimin e Frankos, por pastaj i kund\u00ebrvihet ashp\u00ebr. N\u00eb janar 1937 Bernanos-i shkruan librin Pes\u00eb varreza posht\u00eb h\u00ebn\u00ebs<\/em>, mbi luft\u00ebn e Spanj\u00ebs. Libri p\u00ebrsh\u00ebndet nga nj\u00eb s\u00ebr\u00eb personalitetesh, si Aragon, Camus, dhe filozofja Simone Weil. M\u00eb 1938 vendoset n\u00eb ekzil n\u00eb Brazil. Shkruan nj\u00eb s\u00ebr\u00eb artikujsh q\u00eb botohen n\u00eb gazetat braziliane. N\u00eb 1943 boton, n\u00eb sht\u00ebpi botuese braziliane, por fr\u00ebngjisht, romanin Monsieur Ouine<\/em>. N\u00eb qershor 1945 gjenerali de Gaulle e fton Bernanos-in t\u00eb kthehet n\u00eb Franc\u00eb. Takohet me de Gaulle-in, i cili i propozon detyr\u00eb ministri, por Bernanos-i nuk pranon. Shkruan dhe boton artikuj t\u00eb shumt\u00eb politik\u00eb. P\u00ebr her\u00eb t\u00eb tret\u00eb n\u00eb jet\u00eb, ai refuzon Kryqin e Legjionit t\u00eb Nderit, si dhe an\u00ebtar\u00ebsimin n\u00eb Akademin\u00eb Franceze. N\u00eb korrik 1948 Georges Bernanos nd\u00ebrron jet\u00eb. Ai mbetet shembull i shkrimtarit t\u00eb thell\u00eb. <\/h6>\n<\/div><\/div>\n\n\n\n
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Jon Fosse<\/strong> (1959)<\/h5>\n<\/div>\n\n\n\n

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Jon Fosse<\/strong> (1959) lindi n\u00eb Haugesund t\u00eb Norvegjis\u00eb. Autor i shum\u00eb romaneve, dramave, librave p\u00ebr f\u00ebmij\u00eb.
N\u00eb vitin 2023 fitoi \u00c7mimin Nobel n\u00eb Let\u00ebrsi.<\/h6>\n<\/div><\/div>\n\n\n\n

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Elsa Demo<\/strong> (1976)<\/h5>\n<\/div>\n\n\n\n

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Elsa Demo<\/strong> (1976) \u00ebsht\u00eb e angazhuar prej vitit 2000 me raporte, analiza dhe ese mbi artet dhe kultur\u00ebn n\u00eb shtyp dhe televizion. Ka qen\u00eb lektore e gazetaris\u00eb dhe e arteve n\u00eb universitetet e Tiran\u00ebs dhe Elbasanit. N\u00eb bashk\u00ebpunim me Ardian Klosin ka hartuar dy antologji dokumentare dhe letrare, \u201cShqip\u00ebria kujton. 1944-1991\u201d dhe \u201cShqip\u00ebria tregon 1991-2010\u201d. \u00cbsht\u00eb autore e \u201cTe Teatri\u201d (2023) dhe \u201cE gjelb\u00ebr hiri n\u00eb t\u00eb zez\u00eb\u201d (2024). Jeton n\u00eb Tiran\u00eb.<\/h6>\n<\/div><\/div>\n\n\n\n

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SAMUEL BECKETT (1906 – 1989)<\/h5>\n<\/div>\n\n\n\n

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Beckett konsiderohet nd\u00ebr shkrimtar\u00ebt dhe dramaturg\u00ebt m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb shekullit XX. Autori irlandez, nga viti 1937 jeton n\u00eb Franc\u00eb dhe b\u00ebhet pjes\u00eb e rezistenc\u00ebs franceze gjat\u00eb Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore. Kryesisht shkruan n\u00eb anglisht, por n\u00eb periudh\u00ebn krijuese t\u00eb vonshme, p\u00ebrdor edhe fr\u00ebngjishten, duke p\u00ebrkthyer shpesh veprat e veta nga nj\u00eb gjuh\u00eb n\u00eb tjetr\u00ebn. Nga viti 1969 \u00ebsht\u00eb bart\u00ebs i \u00c7mimit Nobel p\u00ebr Let\u00ebrsi. Veprat si: \u201cFundi i loj\u00ebs\u201d, trilogjia \u201cMolloy\u201d, \u201cMalone vdes\u201d dhe \u201cE paem\u00ebrtueshmja\u201d \u2013 trajtojn\u00eb me humor t\u00eb zi dhe thell\u00ebsi filozofike pritjen dhe kufijt\u00eb e gjuh\u00ebs e t\u00eb ekzistenc\u00ebs njer\u00ebzore.<\/h6>\n<\/div><\/div>\n\n\n\n
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DANIIL HARMS (1905 – 1942)<\/h5>\n<\/div>\n\n\n\n

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M\u00eb 30 dhjetor 1905 lind Daniil Ivanovi\u00e7 Juvacev n\u00eb
Sh\u00ebn Pjet\u00ebrburg. I cil\u00ebsuar shpesh si mjeshtri i paradoksit,
\u00ebsht\u00eb prej autor\u00ebt q\u00eb karakterizohet me tekste minidramatike q\u00eb nuk ndjekin logjik\u00ebn e brendshme, linj\u00ebn dramatike, zhvillim t\u00eb ngjarjeve dhe shquhen prej situatave jo-logjike. M\u00eb 1927 bashk\u00eb me Aleksand\u00ebr Vedenskij dhe miq t\u00eb tjer\u00eb themelojn\u00eb n\u00eb Leningradin e at\u00ebhersh\u00ebm Bashk\u00ebsin\u00eb e Artit Real \u201cOBERIU\u201d, p\u00ebrmes nj\u00eb Manifesti t\u00eb p\u00ebrbashk\u00ebt q\u00eb v\u00ebn\u00eb n\u00eb pik\u00ebpyetje vet\u00eb thelbin e teatrit.
Veprat si “Komedia e qytetit Pjet\u00ebrburg”, “Elizaveta Bam” dhe shum\u00eb minidrama t\u00eb tjera jan\u00eb p\u00ebrplot kund\u00ebrth\u00ebnie, p\u00ebrpiqen t\u00eb zhbirojn\u00eb forma shpreh\u00ebse p\u00ebrmes eksperimentimit, q\u00eb kryesisht qojn\u00eb n\u00eb nj\u00eb pik\u00eb t\u00ebr\u00ebsisht apo pjes\u00ebrisht “p\u00ebrhumb\u00ebse” teatrale.<\/h6>\n<\/div><\/div>\n\n\n\n

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GENTA HODO <\/h5>\n<\/div>\n\n\n\n

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Genta Hodo \u00ebsht\u00eb e njohur si gazetare, me p\u00ebrvoj\u00eb t\u00eb gjat\u00eb n\u00eb median vendase dhe t\u00eb huaj. Botimi i saj i par\u00eb \u00ebsht\u00eb p\u00ebrmbledhja poetike \u201cPak koh\u00eb p\u00ebr poezi\u201d, nd\u00ebrsa romanin e par\u00eb, \u201cVorbulla\u201d, e boton n\u00eb Logbook (Kosov\u00eb).<\/h6>\n<\/div><\/div>\n\n\n\n
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BILL VIOLA (1951 – 2024) Bill Viola (*1951 n\u00eb New York) – lindi dhe u rrit n\u00eb Queens. Kaloi nj\u00eb f\u00ebmij\u00ebri t\u00eb mbyllur duke qen\u00eb person i turpsh\u00ebm dhe pa …<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-23","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/logbook.al\/index.php?rest_route=\/wp\/v2\/pages\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/logbook.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/logbook.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/logbook.al\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/logbook.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23"}],"version-history":[{"count":39,"href":"https:\/\/logbook.al\/index.php?rest_route=\/wp\/v2\/pages\/23\/revisions"}],"predecessor-version":[{"id":859,"href":"https:\/\/logbook.al\/index.php?rest_route=\/wp\/v2\/pages\/23\/revisions\/859"}],"wp:attachment":[{"href":"https:\/\/logbook.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}