{"id":451,"date":"2023-10-14T16:54:31","date_gmt":"2023-10-14T16:54:31","guid":{"rendered":"https:\/\/logbook.al\/?page_id=451"},"modified":"2025-11-19T09:01:23","modified_gmt":"2025-11-19T09:01:23","slug":"libri-deltaplang-i-idlir-nivik","status":"publish","type":"page","link":"https:\/\/logbook.al\/?page_id=451","title":{"rendered":"LIBRI DELTAPLANG I IDLIR AZIZAJ NIVIK"},"content":{"rendered":"\n<h5 class=\"wp-block-heading has-text-align-center\">nga\u00a0<strong>ADRI KALAJA<\/strong><\/h5>\n\n\n<p><\/p>\n<h3 style=\"text-align: left;\">Te sht\u00ebpia botuese Zenit e kam pasur p\u00ebr her\u00eb t\u00eb par\u00eb kontaktin me let\u00ebrsin\u00eb e Idlir <span style=\"font-size: 1.25rem;\">Azizaj <\/span><span style=\"font-size: 1.25rem;\">Nivik, aty af\u00ebr te pallatet Agimi. Nga aty m\u00ebsova edhe p\u00ebr stilin e tij t\u00eb padyshimt\u00eb t\u00eb t\u00eb shkruarit. Nj\u00eb stil q\u00eb p\u00ebr \u00e7udi nuk i ngjan asnj\u00ebrit prej autor\u00ebve t\u00eb tij t\u00eb preferuar, asnj\u00ebrit prej autor\u00ebve t\u00eb tij t\u00eb dashur q\u00eb ka p\u00ebrkthyer pavar\u00ebsisht se nuk mund t\u00eb vihet n\u00eb dyshim q\u00eb ka marr\u00eb shum\u00eb dhe ju ka secilit borxh. Me th\u00ebn\u00eb t\u00eb drejt\u00ebn librit i tij i par\u00eb dhe akoma i paribotuar n\u00eb shqip \u00ebsht\u00eb nj\u00eb v\u00ebllim dygjuh\u00ebsh titulluar \u201c<\/span><em style=\"font-size: 1.25rem;\">Syri n\u00eb mur<\/em><span style=\"font-size: 1.25rem;\"> \/ <\/span><em style=\"font-size: 1.25rem;\">Verbstones<\/em><span style=\"font-size: 1.25rem;\">\u201d.<\/span><\/h3>\n<h3 style=\"text-align: left;\">\n\n<\/h3>\n<h3 style=\"text-align: left;\">Poezia, n\u00eb dukje e thjesht\u00eb dhe minimaliste kam p\u00ebrshtypjen vet\u00eb se i drejtohet nj\u00eb lexuesi t\u00eb caktuar, nj\u00eb lexuesi q\u00eb \u00ebsht\u00eb tashm\u00eb lexues\u2026 Kjo lloj poezie, frym\u00ebzuar nga Allen Ginsberg-u dhe antikultura e atyre viteve, sigurisht n\u00eb Shqip\u00ebrin\u00eb e viteve 90-t\u00eb nuk gjeti vendin e vet, por as n\u00eb Shqip\u00ebrin\u00eb e k\u00ebsaj kohe nuk po gjen vendin e vet. Pa\u00e7ka se ky v\u00ebllim i botuar dhe n\u00eb version dy-gjuh\u00ebsh, n\u00eb SHBA, nga CC Marimbo Press, me parath\u00ebnie t\u00eb poetit t\u00eb shquar Jack Hirschman.<\/h3>\n<h3 style=\"text-align: left;\">\n\n<\/h3>\n<h3 style=\"text-align: left;\">N\u00eb librat e autorit Idlir Nivik shohim \u00e7udin\u00eb e madhe q\u00eb Shqip\u00ebria <em>ekziston<\/em>. Ndoshta. Shohim, n\u00eb t\u00eb v\u00ebrtet\u00eb nj\u00eb habi t\u00eb madhe me Shqip\u00ebrin\u00eb. Por nj\u00eb habi q\u00eb buron nga kureshtja, jo nga dhimbja. Shohim nj\u00eb Grotesk ekstrem, aq sa dhe vet\u00eb libri i tij m\u00eb i arrir\u00eb (v\u00ebllim me tregime e novela \u201cShekspirot\u00ebt\u201d) \u00ebsht\u00eb grotesku i injoranc\u00ebs q\u00eb vjen nga mosleximi. Ky lib\u00ebr sikur e b\u00ebn me turp lexuesin q\u00eb kalon rrug\u00ebs dhe e sheh, me kopertin\u00ebn kuq n\u00eb vishnje, n\u00ebp\u00ebr pllakat e bukinist\u00ebve.<\/h3>\n<h3 style=\"text-align: left;\">\n\n<\/h3>\n<h3 style=\"text-align: left;\">Pse? Sepse v\u00ebrtet \u00ebsht\u00eb nj\u00eb lib\u00ebr q\u00eb studion liminalitetin e qenies njer\u00ebzore. Pra \u00ebsht\u00eb shkrimtari q\u00eb <em>poetizon \u00e7udin\u00eb<\/em> q\u00eb i vjen pushtetit nga kastat e ul\u00ebta njer\u00ebzore. Nga t\u00eb varfrit, si un\u00eb, t\u00eb marr\u00ebt, si un\u00eb, nga grat\u00eb, jo si un\u00eb, nga gj\u00ebt\u00eb e t\u00eb tjer\u00eb. Pse \u00e7uditet at\u00ebher\u00eb pushteti nga katastrofa si protesta tre-vje\u00e7are p\u00ebr teatrin? Pushteti \u00e7uditet vet\u00ebm nga ajo q\u00eb nuk \u00ebsht\u00eb pushtet. N\u00ebse flasim me terma t\u00eb Michel Foucault-s\u00eb. P\u00ebr pushtetin <em>e nd\u00ebnjur<\/em>, shkrimtar\u00ebt <em>e nd\u00ebnjur <\/em>kan\u00eb m\u00eb shum\u00eb garanci se sigurimi dikur p\u00ebr regjimin e E. Hoxh\u00ebs. Por kjo \u00ebsht\u00eb tjet\u00ebr histori dhe ai ishte tjet\u00ebr njeri.<\/h3>\n<h3 style=\"text-align: left;\">\n\n<\/h3>\n<h3 style=\"text-align: left;\">Tek romani \u201cTerxhumani\u201d, ai na m\u00ebson, le t\u00eb themi na p\u00ebrkthen \u201cpap\u00ebrkthyeshm\u00ebrin\u00eb\u201d e ndjesis\u00eb q\u00eb ka <em>Nj\u00ebri <\/em>(le t\u00eb huazojm\u00eb nj\u00eb term nga Bashkim Shehu dhe Pierre Clastres)kur e merr vala e turm\u00ebs s\u00eb tifoz\u00ebve. K\u00ebta tifoz\u00eb q\u00eb nuk t\u00eb fusin duart n\u00eb xhepa, as t\u00eb fusin duart si n\u00ebp\u00ebr koncertet e shpat ded\u00ebs. Por kjo bot\u00eb \u00ebsht\u00eb b\u00ebr\u00eb p\u00ebr autor\u00eb t\u00eb m\u00ebdhenj.<\/h3>\n<h3 style=\"text-align: left;\">\n\n<\/h3>\n<h3 style=\"text-align: left;\">Te romani \u201cDon Kanuni\u201d, \u00a0I. Nivik jep nj\u00eb mesazh social, gj\u00eb aq atipike p\u00ebr t\u00eb; edhe te romani \u201cMandakall\u201d po ashtu. N\u00eb fakt nuk mund t\u00eb b\u00ebsh satir\u00eb pa dh\u00ebn\u00eb nj\u00eb mesazh social. Vitet e fundit <em>n\u00eb k\u00ebt\u00eb hap\u00ebsir\u00ebn ton\u00eb n\u00eb facebook<\/em> \u00ebsht\u00eb b\u00ebr\u00eb e mod\u00ebs q\u00eb t\u00eb ulen dhe p\u00ebr\u00e7mohen ato q\u00eb tallen me fenomene t\u00eb caktuar. K\u00ebto atentate t\u00eb vogla kund\u00ebr t\u00eb qeshur\u00ebs dhe n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb tentativa p\u00ebr edukim religjioz t\u00eb popullat\u00ebs ton\u00eb, vet\u00ebm sa e b\u00ebjn\u00eb m\u00eb qesharak pushtetin p\u00ebr ato <em>q\u00eb e ndajn\u00eb koh\u00ebn e tyre mes Europ\u00ebs dhe Shqip\u00ebris\u00eb<\/em> si\u00e7 \u00ebsht\u00eb dhe rasti i kryeministrit ton\u00eb q\u00eb i ngjan asaj gazetares s\u00eb lodhur t\u00eb kultur\u00ebs q\u00eb n\u00eb nj\u00ebfar\u00eb m\u00ebnyre ka preferuar, duke qen\u00eb mbret, t\u2019i l\u00ebr\u00eb pushtetin lolos\u2026<\/h3>\n<h3 style=\"text-align: left;\">\n\n<\/h3>\n<h3 style=\"text-align: left;\">E ndesha n\u00eb Lezh\u00ebn dhe n\u00eb Vlor\u00eb vepr\u00ebn e Idlir Nivik, ku jo vet\u00ebm profesor\u00ebt, por tashm\u00eb dhe poet\u00ebt k\u00ebrkojn\u00eb nj\u00eb bomb\u00eb (si e k\u00ebrkon personazhi i tij te novela \u201cTi doje t\u00eb shkruaje nj\u00eb fug\u00eb\u201d). E ndesha n\u00eb Durr\u00ebs dhe n\u00eb La\u00e7, ku Judith Butler-i kishte zbarkuar n\u00eb komisariatin e policis\u00eb kinematografike (kjo filozofe \u00ebsht\u00eb dhe personazh n\u00eb romanin e tij \u201cDon Kanun\u201d).<\/h3>\n<h3 style=\"text-align: left;\">\n\n<\/h3>\n<h3 style=\"text-align: left;\">E ndesha dhe n\u00eb Shkod\u00ebr e n\u00eb Prishtin\u00eb \u2026<\/h3>\n<p><\/p>\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u00a9 Adri Kalaja <br>14.10.2023<\/p>\n<\/blockquote>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-bottom\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"601\" height=\"815\" src=\"https:\/\/logbook.al\/wp-content\/uploads\/2023\/06\/Deltaplang_logbook_cover_2.jpg\" alt=\"Idlir Azizaj Nivik - Deltaplang\" class=\"wp-image-367 size-full\" srcset=\"https:\/\/logbook.al\/wp-content\/uploads\/2023\/06\/Deltaplang_logbook_cover_2.jpg 601w, https:\/\/logbook.al\/wp-content\/uploads\/2023\/06\/Deltaplang_logbook_cover_2-221x300.jpg 221w\" sizes=\"auto, (max-width: 601px) 100vw, 601px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><\/p>\n<\/div><\/div>\n\n\n\n<h5 class=\"wp-block-heading\">Kopertina e p\u00ebrparme: <em>Citystructure<\/em>, vaj n\u00eb kanavac\u00eb, Mustafa Lamaj<\/h5>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>nga\u00a0ADRI KALAJA Te sht\u00ebpia botuese Zenit e kam pasur p\u00ebr her\u00eb t\u00eb par\u00eb kontaktin me let\u00ebrsin\u00eb e Idlir Azizaj Nivik, aty af\u00ebr te pallatet Agimi. Nga aty m\u00ebsova edhe p\u00ebr &#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-451","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/logbook.al\/index.php?rest_route=\/wp\/v2\/pages\/451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/logbook.al\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/logbook.al\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/logbook.al\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/logbook.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=451"}],"version-history":[{"count":8,"href":"https:\/\/logbook.al\/index.php?rest_route=\/wp\/v2\/pages\/451\/revisions"}],"predecessor-version":[{"id":1010,"href":"https:\/\/logbook.al\/index.php?rest_route=\/wp\/v2\/pages\/451\/revisions\/1010"}],"wp:attachment":[{"href":"https:\/\/logbook.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}